Patti challenges me to explore monochrome images that feature shadows and reflections. This is a photo challenge, indeed. When out with my camera, reflections on glass, water, and shiny objects cause me to look for composition ideas. Shadows have the same effect. Adding monochromatic images is a new aspect for me. In the late 1960’s I started to use color film. With my first Imperial Debonair box camera, a 1940’s Voigtlander very manual 35mm rangefinder, and a Yashica 35mm camera I used black & white film exclusively. So I became aware of what images would work in b&w (and shades of gray). Contrasting shades, strong shapes, interesting lines, and of course shadows. It was not until the 1970’s that I switched to Kodachrome. Looking at many of my images it seems that I prefer them in color, but I did find some that worked as monochromatic images.
When I lived in New York I always made time to visit The Metropolitan Museum of Art. This image was taken on my last trip in 2014. The first image I processed in b&w Adobe monochrome
My first dog was Liberty Love, a black Labrador Retriever. I knew that photographing a black dog requires careful lighting unless you want to end up with a big black blob. Side lighting is needed to see the texture of her fur. I processed most of these in Adobe b&w. In some photos, I just desaturated the color.
Black and white photographs are monochromatic since they are all shades of gray. The following photographs are monochromatic because they are all shades of one color. Mono means one, and chroma means color. This can be achieved during processing or not.
I have been challenged, and I hope that you enjoyed my exprerience.
A Photo's Worth 